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一档聚焦社会大众精神面貌的原创生活态度真人秀。主持人张大大邀请各行业朋友来家中做客、分享精致生活，让朋友们疏解情绪、放松自我。以无干扰的方式拍摄，最大限度地还原嘉宾们的真实状态，感受生活中的点滴与本真。让观众看到不一样的公众人物，不同生活状态的碰撞，及人与人之间差异化的相处模式。。为争夺“贡米”的名份，天津津南小站镇的种植小站稻的大户人刘家和李家年年都要展开激烈的竞争和博弈。这一年(1893年)小站稻又喜获丰收，李家为一改连续三年“贡米”都被刘家夺走的颓势，居然搞起鬼名堂，花银子贿赂了官府之后，终于如愿以偿拿到“贡米”的名份。不料内情泄露，在小站镇引起轩然大波……正在天津北洋水师学堂攻读舰船操舵的刘家公子刘德胜与同在一个班的李家大公子李占魁为此争执不休。本来李占魁就为刘德胜与自己追求许久的小站镇最漂亮的姑娘高小穗私定终身气不忿，“贡米”之争更激化二人的矛盾。他们的教官田行健严厉责骂两个人不识大体，并且告诉他们日本舰队已经做好围歼北洋水师的准备，大战在即，你们日后将要在战场上并肩作战，怎么能因私家长短，儿女情怨而伤害同袍之情呢？刘德胜深为惭愧，而李占魁则不以为然。 不久，中日甲午海战爆发，作为水师学堂的应届毕业生，刘德胜和李占魁...。In this bitingly satirical film Peter Slovan, a continuous source of trouble for the film functionaries of the socialist Slovakia, tackles an evergreen topic – the corruptive effects of power. Barnabáš Kos, a triangle player at a symphonic orchestra, is suddenly promoted to serve as the head of the said institution, even though both he and his superiors deem him completely unfit for the task. Encouraged in equal parts by this unexpected recognition and the servile praise of his colleagues, Kos’s modesty starts to gradually vanish. The erstwhile bashful and aloof percussionist quickly becomes aware of the advantages of his new office, and begins to realise his increasingly ludicrous artistic ambitions. Ultimately, the submissive marionette turns into a source of public humiliation, and his astonishing career finds an abrupt end. Orchestra serves here as a microcosm that grotesquely reflects the absurd and tragicomic mechanisms of the paranoid apparatus of power. Digitised in 4K and restored in 2K, based on the 35mm camera negative, by the National Film Archive of the Slovak Film Institute. The original film elements are preserved by the National Film Archive of the Slovak Film Institute. Eva Näripe。