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一个装有冰毒的快递包裹，打破了都市白领谭逗逗的平静生活。寄件人是七年前逃婚的男友靳远，七年后他再出现，却让她变成了毒品犯罪嫌疑人。逗逗愤怒委屈，在去抓往警局的路上逃脱，直奔包裹来处海滨寻找靳远。靳远是警方黄伟忠乔梁等人监控中的贩毒嫌疑人，涉嫌用拍卖交易为蔡炳坤贩毒集团洗钱。再见靳远，逗逗依旧不舍旧情，打定主意要带他走出黑暗重新做人。其实靳远的真实身份是警方高层刘局派遣打入贩毒集团内部的卧底，面对逗逗一颗热腾腾的心，他不得不冷颜以对，冀望她早日放弃自己脱离危险。可蔡炳坤的狡诈和狠毒，却让逗逗在七年后真的成为了靳远的妻子。孤身入虎穴的靳远，这时不仅要保护妻子，应对同僚毒贩们的挑衅，还要面对不知他真实身份的警察们的追踪。更为险峻的是，禁毒大队内部此时还出现了内鬼，行事隐秘，难觅其综。两个“内鬼”展开生死较量，步步惊心，谁赢谁将获得这场战争的胜利……最终，靳...。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。影片改编自获诺贝尔文学奖的美国剧作家尤金·奥尼尔的同名自传戏，将一个男人自家中不可告人的秘密毫不留情、赤裸裸地公诸于世。这是一部关于一个剧作家青春岁月和他的家庭的伦理片，往事如同幽灵一样纠缠著他，彷佛在他心灵深处跟他在作祟，如果他不倾诉出来，就永远无法安宁。影片立意深刻，细致感人，几位演员的表演精彩绝伦，颇具震撼力。。