尸鬼22

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15 年前

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The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。雨夜,某市外经贸委副主任李兆被发现死在家中,死因是头部和心脏遭到枪击。知情者周冰倩报了案,刑警大队长罗大任得知后立刻赶到案发现场。从现场看李兆是自杀, 与此同时,与李兆同住一楼的“青山工程”工程师付工突发心脏病入院,在围观的人群中,罗大任认出了酒吧女服务员夏姗姗,夏不自然的表情引起了罗的怀疑。 罗大任和李兆二十年前曾在同一部队,并有生死之交。出于对死者的感情和对案发现场的分析,罗坚持认为他杀,而省公安厅处长胡建林则认为李兆和该市“青山工程”泄密有关,认为李兆是自杀,两人发生激烈冲突,于是带领各自的人马分头调查。夏姗姗被歹徒孙彪绑架,被警察解救后却不愿说出事实真相。孙彪被警察抓住后坦白地说,夏姗姗的干姐--歌星梅玫手里有一个箱子,内装日本人解放前在东北发行的股票,价值几百万美金,而梅玫被人杀害后,箱子的下落不明,孙彪劫持夏姗姗...。故事发生在意大利的一个小镇之中,指挥官洛伦索(Peter Lühr 饰)的女儿马奎斯(埃迪特·克莱韦 Edith Clever 饰)带着女儿守寡多年,在危难之际得到了伯爵列特里特(布鲁诺·甘茨 Bruno Ganz 饰)的出手相救,才得以幸免于难,马奎斯对伯爵生出了一丝好感,然而,第二天,伯爵便跟随着军队离开了小镇。 没过多久,马奎斯发现自己的身上竟然出现了怀孕的迹象,没有人知道孩子的父亲是谁,就连她自己也不知道。马奎斯的未婚先孕让她成为了小镇里的笑柄,遭到了父亲的唾弃和驱逐。无奈之下,马奎斯只得登报寻找孩子的父亲,让她没有想到的是,前来之人竟然正是伯爵。无法接受此事的马奎斯拒绝了伯爵的求婚。。

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