轻功水上漂

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美国经历了内战摧残后的五年，远在新墨西哥州洛矶山脉白雪皑皑的深山中，前陆军上校摩斯门·卡弗领着几个民团队员，一路追捕一名曾在敌营中叱咤风云的军官基登。受雇的民团队员当然是为了钱而行动，然而卡弗的目的却不单纯，似乎存有私人恩怨。 严冬覆雪的山林里，基登独自一人坐在火堆前，陷入沉思。突然间，一颗子弹飞过，射进离他脑袋只有几英寸远的雪堆中，冒出一阵白烟。紧接着又是一声枪响，基登还没来得及反应，就被击中肩膀倒在地上。他立刻决定抛下一切，逃进冷杉林中以求掩护，但他滴在雪地上的斑斑血迹，却暴露了行踪…… 于是，一场惊心动魄的王牌对决拉开了帷幕：身受枪伤的基登，展开令人怵目惊心的艰辛逃亡；受愤怒驱使的卡弗，则誓言不计任何代价，追杀基登到底。在这场无止尽的残酷追逐中，两人的心灵愈发冷酷，命运也愈加诡谲，双双远离文明常轨和道德规范，逐渐走进一片无情荒野中。 到底是何种深仇大恨，令卡弗一路追猎基登也无法平息心中的愤怒？到底是何种神秘使命，让基登就算拼死也要活着越过恶劣的西部大地？随着剧情推展，种种不堪的过去，一一浮现，各种疑点也将真相大白。 本片戏剧性的结局将这两个男人的杀戮历程带到最高潮。然而，就在两人最后正面对决之前，肯定会有更多人因此牺牲，就像人类所有的愚行一样，那时他们才会意识到，他们的固执己见需要付出多么惨重的代价。。拳击队员徐招娣为了养女乐乐，毅然退出市队成为了一名出租车司机。乐乐渐渐步入青春期，与不善表达的徐招娣产生了隔阂。一天，徐招娣路遇被人围殴的记者王海，她果断出手搭救。随后却被卷入了王海正在调查的案件之中，而徐招娣的身体似乎也出现了不可控制的问题……。Umberto Lenzi is undoubtedly the king of Italian crime movies, but unfortunately| Syndicate Sadists is not the best examples of his work in this genre. Lenzi's crime flicks tend to be a cut above the rest because he makes films based on stories with a point, and they don't lack direction| but this film feels a bit too wayward to fully fit with the rest of his stuff. The film takes obvious influence from Sergio Leone's landmark western 'A Fistful of Dollars' (which in turn, took influence from Akira Kurosawa's landmark samurai flick Yojimbo), in that it features two warring families and a strong character at the centre. The crime that Lenzi focuses on is kidnapping, and we centre on a character called 'Rambo'. Rambo is dragged into the war between the two families after his brother is killed because of it. Rambo uses his brains and brawn to pit the two families against one another, in the hope of gaining revenge for his brother's death, rescuing a young boy that they've kidnapped, and ultimately letting the two sides destroy one another. The film's biggest asset is undoubtedly Tomas Milian. Milian was put to great use by Lenzi in almost all of his crime thrillers. The range of characters he has played for Lenzi is immense, and this one is easily one of the coolest. The character is called Rambo, which immediately sprang to mind the popular Sylvester Stallone character - but for once, the Italians actually haven't stolen this name as Syndicate Sadists was released first! As usual, the film is wickedly entertaining, as we get to watch Milian get himself involved in the usual array of car chases, shootouts and brawls. Lenzi has got him riding a motorbike this time round, and every scene featuring it and Milian is a real standout! However, the film often feels like it doesn't really have anywhere to go, and this means that the running time is stretched out more than it should be. Compared to the crime films of other Italian directors, Syndicate Sadists is more than above average| but in relation to Lenzi crime flicks such as Almost Human and The Cynic, The Rat and The Fist - it doesn't stand tall as one of Lenzi's best. Still, if you're looking for ninety minutes of testosterone fuelled mayhem - Syndicate Sadists will suffice!。